Utah Valley Light

"Utah Valley Light", 10 x 12 In, Oil on Museum Board

There are so many places to paint in Utah. Sometimes I don't quite remember the exact location of a painting--especially two years later. But when I discovered this one in a pile of paintings, I liked the atmosphere. Since we usually go to Utah in April or May, this must have been painted from photo and memory

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Stream and Forest

"Stream and Forest", 10 x 12 In, Oil on Museum Board

This was painted during the Paint the Peninsula competition in August 2018 on the northern side of Olympic National Park.

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Mud Lake

"Mud Lake", 11 x 14 In, Oil on Museum Board

We painted along the shoreline of Mud Lake on the last day of the Plein Air Washington paint-out to Republic, Washington in June, 2019. The area about Republic is beautiful.

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Harts Pass

"Harts Pass", 10 x 12 In, Oil on Museum Board

In June, on the way to the Plein Air Washington paint-out in Republic, Washington, we drove up the narrow gravel road to Harts Pass in the North Cascades west of Mazama, WA. This is said to be highest maintained road in the State of Washington (6,100ft) above the sea level, and is located in the Okanogan-Wenatchee National Forest. When we got back down the Ranger told us we were looking at Tatie Peak. It was chilly with patches of snow, but the most glorious place to paint out the back of the van.

This is from my series of palette knife paintings.

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Orange Hills Idaho

"Orange Hills Idaho", 10 x 12 In, Oil on Museum Board

Sometimes a simple design is the best.

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Portrait Study #7

"Portrait Study #7", 14 x 11 In, Oil on Museum Board
I spent many days in early 2019 practicing portraits. This is one of them

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Gray Cloud Study

"Gray Cloud Study," 8 x 10 In, Oil on Museum Board
This was a quick study of clouds in Utah.

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Orchard First Bloom

"Orchard First Bloom," 10 x 12 In, Oil on Museum Board
This was painted on the Plein Air Washington trip to Victoria, British Columbia.

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